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You can now watch the debut of 'Halt and Catch Fire' on Tumblr

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It looks like Tumblr might be getting into the TV business.

The pilot for AMC’s new show Halt and Catch Fire debuted on Sunday night, but it also had the distinction of being the first TV show to also premiere on Tumblr. You can watch the season premiere on AMC’s Tumblr until May 31.

The show documents the the world of computer engineering in Dallas, Texas, in 1983, and the quest to reverse-engineer an IBM computer and “build a machine that nobody else has the balls to build.” As Lee Pace’s character, Joe MacMillan says, “Computers aren’t the thing. They’re the thing that gets us to the thing.”

The show, especially as a summer series, has the potential do very well among Tumblr’s tech-and-social-media-savvy demo. Tumblr screened the show for a group of the site’s “influencers” on Monday, and AMC plans private screenings for companies like Apple, Twitter, and Google, in an effort to develop cache with tech influencers who might find a unique way to promote the show before the June 1 air date.

Between the retro drama of Halt and Catch Fire, and the contemporary comedy of HBO’s Silicon Valley, tech-as-entertainment is becoming an increasingly valuable product, and “social media screenings” are becoming the norm. As a home to countless TV fandoms, Tumblr makes sense as a testing ground for this new show. It will be interesting to see which channels follow suit.

Photo via AMC


Here are the finalists of Pornhub's SFW advertising competition

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Last month, the porn tube site Pornhub announced they would be launching the site’s first SFW nationwide advertising campaign, kicking off a competition to anoint the company’s first SFW creative director. The qualifications were simple: Pornhub was looking for a creative director who would spearhead a campaign that was “tasteful, clever, and completely safe for consumption by the public,” Pornhub director of marketing Corey Price told the Daily Dot last month. They decided to solicit project proposals from fans, with the goal of awarding a one-year creative director contract to the author of the winning submission.

“The search for a SFW creative director belies our objective of being the public’s go-to adult site, but in a tasteful fashion,” Price said. “We believe someone with the creativity to get our message across, and evolve our brand into something that exudes class, rather than vulgarity is the right step toward achieving that goal.”

Although many interpreted the notoriously media-savvy tube site's advertising challenge as little more than a PR grab, apparently their fans thought it was in earnest. Pornhub has posted 15 finalists’ submissions on their (SFW) Tumblr, the best of which we’ve compiled here. Now, they're asking fans to help them select their next creative director by voting on their favorite. Check ‘em out, and let Pornhub know which one you think best encapsulates the class-exuding Pornhub “brand.” (My vote is for the one with the mouse on both sides of the computer. Yes, Pornhub, I do. I do know the difference).

Pornhub: They Are Among Us


Pornhub: We’ve Got It All


 

Pornhub: Where Are You Getting Off?


Pornhub: The World’s Biggest Archive of Nothing


Pornhub: Get Your Rocks Off


Pornhub: You Know The Difference

Photo via Pornhub Campaign/Tumblr

Here's the fanart the 'Teen Wolf' production team picked to decorate their own offices

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Fanwork may still be a controversial subject among creatives and producers, but one franchise has fully embraced the creative outpouring of its fandom. Teen Wolf made history by hosting one of the first slash-friendly fanfiction contests sanctioned by a corporation, in this case MTV. But they also love fanart, and have been open about having prints of selected works of fanart for the show collected on their own walls.

When the post-production team of MTV's hit Teen Wolf made a home on Tumblr last fall, they were inundated with questions from the fandom about their famous fanart gallery.  In November, they had a mini-art show and invited the cast and crew of the show to pop by, including titular teen wolf Tyler Posey.

Now, the post-production Tumblr has finished shining the spotlight on each of the first 16 pieces of fanart that the crew chose to hang in the Teen Wolf crew's unofficial gallery. The project started in January with the first piece of fanart they selected, and featured a new piece of fanart each week on "Moonday"—the day Teen Wolf airs.

In addition to simply revealing the pieces they'd chosen, the crew enlisted various cast members to help them out with photoshoots done in tribute to the artwork.

They even included a piece of Sterek fanart. It's a Red Riding Hood tribute that's a popular recurring theme among Sterek fanartists. To illustrate it, they enlisted none other than heartthrob Dylan O'Brien himself, who plays Stiles, one half of the tremendously popular pairing.

"Every piece we have in our gallery is fantastic and fascinating for its own reason," they wrote. Like any proper art gallery, the Teen Wolf gallery treats its collection as legitimate art pieces: each piece features the name of the artist, the title of the work, and the medium and year of its creation.

After an intense curation process, scouring Tumblr, DeviantArt and the like, we collectively agreed on our favorites.  We contacted the artists, printed the pieces, and hung them in our common space, now called “the gallery.”

Later, they elaborated:

[I]t wasn’t so much a submission process as it was a selection process. We did this for ourselves originally, (we were tired of looking at bare walls), but realized it was a great way to simultaneously honor the fans and artists out there.  The pieces we selected were ones that we just really liked!  We had a ton of options that we loved, but democracy ruled.  We voted on our favorites and those were the ones we ended up hanging. 

Photo via teenwolfpostproduction/Tumblr

The project was the brainchild of TW editor Gabriel Fleming. who curated the gallery. The Tumblr shares the crew's thoughts on the artwork they chose, like a piece by Emily (perseused) entitled, "i ask not for a lighter burden but for broader shoulders."

"Firstly, we have heard so many compliments on the title! Everyone loves it and all that it represents, especially with these three," the production team wrote. Posey, O'Brien, and Crystal Reed, who plays Allison, each chimed in to illustrate the work.

The original 16 pieces selected for the gallery concluded yesterday with a guest appearance from Tyler Hoechlin, and a hilarious piece illustrating a fake Penguin cover mocking his character Derek's terrible relationship history:

Photo via teenwolfpostproduction/Tumblr

In addition to showcasing amazing works of art from the TW fandom, the gallery clearly serves another purpose: building a bond between the franchise and its fans, while representing fanwork positively to the rest of the world. But there's another byproduct of the gallery. It inspires the production team as much as the rest of us. As the Tumblr's creator wrote:

In the chaos of finishing 3B, a crew member came up to me and gave me a hug thanking me for helping to organize this. Tired and looking at another long day, he told me that seeing all of the fanart reminded him why he did this. For all of you dedicated fans who have, you yourselves, devoted so much time to Teen Wolf

You can view the entire collection on the TW crew's Tumblr.

 

Photo via teenwolf/Tumblr

Don't have time to catch up on an entire TV series? Let Skippable be your guide

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If you've ever been in a fandom, you know that marathoning your favorite TV shows is a fine art. For a community eager to stay well-versed on the latest in pop culture, consuming media as quickly as possible is a common tactic for geeks on the go. Sometimes you have to prioritize which episodes will get your attention. 

Now, a new Tumblr, Skippable, is taking out the guesswork for new fans. Need to convince your new Whovian friend that you're an expert on the Tennant years? Skippable has your back, and it also has a quick summary of what you're missing.

The Tumblr is the brainchild of Anthony Burch, better known as the brotherly half of gaming parody web series Hey Ash, Whatcha Playin'On his Twitter, Burch noted the Tumblr is meant to serve as more of a quick wiki than a blog. He also said he was looking for submissions, so anyone out there with an encyclopedic knowledge of your favorite TV series, now is your chance to shine.

Since the Tumblr launched on Saturday, Burch has released skippable cheat sheets for 12 shows, including all of the Whedon-verse and the two "halves" of Doctor Who. Burch prioritizes episodes that help you understand the show's continuity, as you can see from a quick glance at his skippable guide to Buffy, which eschews almost any episode that prominently features Xander, and advises you to skip fan favorites like "Superstar" and "Tabula Rasa," while noting that they're among of the series' best standalones. Sadly, Skippable has no advice for fans who'd rather watch "Superstar" 20 times in a row than subject themselves to Season 4's Riley arc.

As for how the blog will deal with more exhaustive filler, that remains to be seen. Perhaps Skippable will advise newcomers to skip the entirety of Naruto's pointless pre-Shippuden filler arc, or all of Supernatural's countless monster-of-the-week stories. Hey, it's all in the service of getting to the good stuff. 

And we'll go ahead and call it: Someone should probably make a fandom-friendly version of Skippable called Shippable, one that hones in on every scene you need to watch in order to get your fill of your preferred OTP gazing doofily at each other—after all, Tumblr GIFs can only take you so far.

The best part of Skippable is that it doesn't espouse the idea that you have to slog through the bad parts, like, oh, all of the Logan era of Gilmore Girls, or that truncated season Bones fans don't talk about, and really what is even the point of a post-Downey Ally McBeal, in order to call yourself a true fan. 

And that means that we can all get that much geekier, that much faster than before.

Illustration via dangergraphics/Flickr

'Supernatural,' 'Attack on Titan' fans create ambitious animation projects

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The finale of Supernatural Season 9 aired last night, along with a bombshell that will keep fans on tenterhooks until Season 10 airs in the fall. But in the meantime, a new fan project will hopefully help them ride out the wait: Supernatural: the Fanimation, or SPNF for short. The project—to produce a fan-made animated, alternate version of Season 9—is ambitious.

But together with a recently launched project to make a fan-animated production of Attack on Titan, it's part of a growing trend of fans taking their creative talents and putting them to use making alternate versions of the things they love.

Alternate "seasons" of fandoms are nothing new. Supernatural: Redemption Road is a well-known alternate Season 7 written by members of the SPN fandom in an episodic format. Fan-made animated videos are likewise nothing new, though usually they're short clips, like one recent popular fanimation featuring Batman and the Terminator. Combining the two is an idea that has become more common recently. A project started last year by the Homestuck fandom eventually went in the direction of an entirely original production, but it set the wheels in motion for more like it.

SPNF is the brainchild of SPN fans John Cohen, a 19-year-old Canadian, and Daniel LaLiberty, a 17-year-old from Wisconsin. Daniel says that their project "started out as a wistful joke," the next-best thing this side of kidnapping the actors and having them roleplay new scenes, particularly since Jared Padalecki is too tall to fit in anyone's trunk. The two brought on production manager May Sage-Chiasson and began working on ideas for streamlining and improving the rocky, controversial Season 9 with outlines of all new episodes. From there, the call went out to fans on the project's official Tumblr:

Are you unsatisfied with Season 9?

Do you have a background in animation?

Do you spend a lot of time in your room imitating the voices of 30-something-year-old men?

So how does SPNF propose to re-work Season 9? According to Daniel, the fan animation will "tweak poor characterization, revamp the lore to how it was in earlier seasons, and hook together fan ideas that are very popular." They plan to include novelty episodes like a musical, and account for the much-criticized way that "women are killed off after 30 seconds of screen time." They also want to include a "wider representation of the LGBTQI+ community and more ethnically and culturally diverse peoples."

The goals of the Attack on Titan (SnK) fan animation project, which got off the ground a few weeks after SPN's, are similar: produce a gripping Season 2 that will tide fans over until the real thing. The SnK fanimation project comes from a fan named Elizabeth, a self-described college freshman who "loves acting, directing, writing, and a good story." She and her friend Alex, who shares her interests in directing and acting, decided to tackle it after the SPN fanimation project inspired them to do something similar:

I got wind of [the SPN fanimation project] and was really interested by it because I love to act, direct and write, but had never been able to really get a good idea down. I turned to my close friend Alex, because while I knew I wanted to do a fanimation, I wasn't sure what, and Alex suggested we do something based off of Attack on Titan, because we'd both recently gotten into the fandom and were really excited for the next season (which we discovered wasn't going to be released for a few years). That was when we decided we would make the project about SNK—we wanted to give fans something to keep them going while they waited for the real thing.

So far, the SnK fanimation project has a casting director and is accepting applications from fans to join their crew. They're particularly in need of animators, voice actors, sound effects staff, and script writers. The character listing is available here, and all voice auditions can be sent directly to snkfanimation@gmail.com. Elizabeth and Alex note that they welcome applications as well as questions and feedback of all kinds.

Meanwhile, the SPNF crew has ballooned: in addition to the impressive cast and production team already assembled, the project's Tumblr has grown by thousands of followers. You can find out how to join the SPNF production team here on their submission page.

Daniel says he hopes the project will move some members of his team along a professional career trajectory. "One of our animators is hoping to go to college for animation, and several of our scriptwriters are looking to be professionals somewhere in the literature community."  In fact, some of the SPN team already are pros, including professional voice actor Tajja Isen, and professional production assistant Jennifer L. Anderson.

The main delay in production for both projects is one that will doubtless be the biggest hurdle for all similar projects to overcome—the hunt for talented fanartists with the ability and time to serve as animators. SPNF is hoping to release an episode by early September, while SnKF hopes to get off the ground soon. In the meantime, the two projects are working together. Daniel notes that he's helped the SnK group with coding and general advice.

While both projects note that they don't feel what they're doing falls into the category of "fanfiction," the goal of "aiming to stick as close as we can to the main plotlines of the season while still realistically fixing things" is precisely what fanfiction does best. 

And as the two projects show, collaborative creativity is something fandom does better than any other game in town.

 

Photo via xshadow-lightx/deviantART

This GIF is so meta it might cause the Internet to implode

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Remember that old Lewis Black joke about how a Starbucks across the street from another Starbucks signifies the end of the universe? Well, the end of the universe has changed locations. Now, it’s located at this GIF of a Vine of a Video of a Flipbook of a GIF of a video of a roller coaster.

Got that? Let’s try it again: It’s a GIF of a Vine of a video of a Flipbook of a GIF of a video of a roller coaster.

Observe:

This supreme mindf*ck was created by Tumblr user Televandalist. Let’s try to understand his creative process by going backwards.

Televandalist made a GIF out of video footage of a roller coaster ride. He then made a physical version of the GIF with Flipbookit, a hand-cranked machine that creates moving flipbook images. He posted the resulting video on Vine:

Which he then posted on his Tumblr, but in GIF form.

Got that? No? Not quite? Well, give yourself a few minutes or so and think about it again. But after you’ve worked it out, do yourself a favor and check your watch. You’ll find you’re standing at the nexus of the end of the universe, where time stands still.

H/T This is Colossal | Screengrab via The Televandalist/Tumblr

LiveJournal just rolled out a major update, but is anyone there to notice?

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For a brief moment earlier this year, LiveJournal, the early blogging community that paved the way for modern social media platforms, was stunningly relevant in the U.S. once again. A member of its enormous Eastern European audience was posting breathtaking photos of the Kiev revolution, and those of us who hadn't logged into our LJ accounts in years—except to occasionally prevent it from deleting one of our old accounts—were reminded of the vibrant community we lost.

The days of LiveJournal's thriving English-language community aren't that far behind us. Just a few years ago, any update LJ made would incur a flood of feedback on its main news account. As late as 2012, before LJ all but abandoned its U.S. offices, the LJ community was still desperate to keep the site from evolving away from the Internet hometown we loved.

Last week, however, as LJ rolled out a major overhaul of its UI without any fanfare or English-facing public announcement, it seemed there was no one left even to complain. Apart from a few angry comments on an older news post demanding to know why LJ didn't even bother to prepare users for the change, the change has barely elicited more than a shrug from LJ's once passionately-invested community of users.

LiveJournal's most recent rollout significantly lightens the text and background color while widening the default layout and hiding many of the icons and navigational cues throughout the site. Here's how the LiveJournal home page looked last Wednesday...

 

...and how it looked after the update:

 

While it's admittedly a cleaner, more mobile-friendly look, the redesign unfortunately hides important parts of the navigation. Most of the main navigational tools, which used to be in the main navbar, are scattered all over the place:

  • The logout function is now tucked away under the dropdown menu under "my blog."
  • The friends view is still on the main navigation—but that means you can't see it from the main LiveJournal.com page. You can only get to it from going to "my blog" and then chosing your profile from the dropdown menu, clicking on it, going to your profile page, and then clicking "Friends Feed." Seriously.
  • Meanwhile, your own blog is not available from the main menu on your profile. To see it you need to click the words "My Blog" or your username from the drop-down menu.
  • A few tools are now inexplicably accessible only through the new "Statistics" sidebar, which is otherwise functionally useless unless you really like seeing your comment count go up from all those readers you no longer have because they left LJ for Tumblr two years ago. These include your access to Memories (LJ's antiquated but hefty system for bookmarking old posts), Photos, and Userpics.

The new design also, somewhat perplexingly, makes "Social Capital"—a mysterious popularity ranking system based on what seems to be overall level of popularity combined with recent activity—the most prominent thing about any LJ user's profile. Brad Fitzpatrick, LJ's creator, is probably the oldest, and by far one of the most popular users on the site. But because his last actual post was made in 2012, he has a social capital of "less than 10," whatever that means.

 

Although the "social capital" function has been around for a while, its new prominence ironically highlights LJ's absent community (at least for those who've chosen not to opt-out of it; everything LiveJournal does is opt-out rather than opt-in these days.) Once-thriving accounts like Brad's sit dormant and inactive. The "less than 10" isn't really about social capital; it's about the steady decline and forced diaspora of LJ's userbase. Its once diverse community, particularly welcoming to fandom, is silent, most having relocated to Tumblr, while LJ's only arguably mainstream community, popular gossip site Oh No They Didn't, now draws the bulk of participation and activity for the entire English-language portion of the website.

Other once-central communities have steadily been driven away by LiveJournal's own changing culture. The former staple community Fandom Secrets announced its departure to the warmer fandom-friendly climate of LJ clone Dreamwidth in 2012. Other major parts of the LJ community like Crack Van eventually followed. 

When LJ's parent company SUP merged with Russian media conglomerate Rambler last year without any attention from the English portion of the website, it seemed to solidify the increasingly silent divide between the website's cultural community. Site support seems to have suffered in the process. Earlier this month one of the last major bastions of fandom anonymous meme culture, Failfandom_anon, said goodbye and moved to Dreamwidth after its members spent weeks unable to use the site. LJ's code testing, presumably in anticipation of this new design rollout, was crippling the server on which the community was located.

But despite the weeks of testing, the new update has severely limited functionality. Despite numerous attempts, I was unable to get the Friends page to load by clicking on it directly, both in Chrome or Firefox. Forcing the page to open in a new tab using the Control/Apple key or right-click function was successful, but this trick might be beyond the technical knowledge of many users.

Not only that, but a question from the aptly-named LJ user forcryinoutloud about how to revert back to the old interface returned this bizarre response from LJ's skeleton crew support team, as relayed by another LJ user, infinitepryde:

If you go to the Livejournal homepage and look at the top bar in the new UI, you should be able to click on the (blank?) space between "Post in blog" and the message icon. This should give you a menu that includes the option to revert.

Incredibly, it's true. There's an invisible easter egg link to the Support contact form lurking hidden in the top right corner of the LJ menu. Visiting the link directly won't help, but if you click on the space at the top right corner, it activates the new "welcome" button, shown above, instead of the link. This gives you the option to switch back to the old UI:

Speaking to the Daily Dot by email, LiveJournal's newly-appointed CEO Katya Akudovich noted that the recent release is a beta version. She also said that the new rollout was just the beginning:

We value opinions of users tremendously and really want to get as much feedback as possible. 

Users will be able to switch back to the old design in the next two weeks.   On June 1st, after responding to all the feedback and possible adding/fixing certain things, we will roll out final version. 

We will also roll out our beautiful and easy to use Android app. 
 
On June 15th we will roll out iOS version.

While LJ users seemed to appreciate the aesthetic changes to the design, the decrease in functionality and the lack of transparency was a source of frustration.  Longtime LJ user Sam Starbuck, who is currently one of the site's active power users, stated that he wasn't sure catering to the dwindling English-language audience was a priority for the site—and wasn't sure it mattered anyway.

I don't think a new look with the same functionality is going to get them anywhere. It seems like the reason people made the jump [from LJ to Tumblr] is that the most commonly-used functions (posting images, sharing other peoples' content) is easier on Tumblr. 

It might be easy to assume that LiveJournal has joined its English users in consigning itself to the past—something so far removed from the emerging cultures of platforms like Tumblr, Wattpad, and Pinterest that it doesn't even try to compete. Then again, given Russia's harsh political climate, perhaps they simply have bigger problems. Ever since the tense 2011 Russian elections and Putin's return to power, blog sites including LJ and VK have experienced crippling, allegedly government-orchestrated denial of service attacks. They've also faced political takeovers, and, of course, the problems of maintaining stable Internet infrastructure during a revolution.

Nevertheless, Akudovich was confident, speaking of the beta stage as one of many changes to come: 

In general, this new design is only the first step in our renewal of the world's first social media network. While maintaining everything LiveJournal originally stood for, 2014 will mark a new chapter in our quest for ever-better functionality and usability. We will soon launch a lot of brand new services and the best mobile experience, making LJ a true dominant force in social media all over the world.

They have their work cut out for them. In January, when LJ user Ilya Varlamov went to the trouble of translating his Russian LJ post about the Ukraine uprising into English after realizing that U.S. and European media outlets were desperate for on-the-street information about what was happening in Kiev. The world seemed a bit smaller, and LiveJournal seemed one of the necessary bridges that kept it that way.

But after this rollout, it's hard not to wonder if that bridge is shakier than ever.

Disclosure: The reporter is a longtime LiveJournal user whose blog was featured in LiveJournal's 2007 10-year anniversary anthology as "an example of fandom at its best." She currently has a social capital of less than 10.

Illustration by Jason Reed

'When Women Refuse': Why we need to talk about saying no

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The UCSB shootings last weekend and the misogynistic, hate-fueled rantings of shooting suspect Elliot Rodger spawned an outpouring of emotional responses on social media, some of which were more enlightening and constructive than others.

One of the most powerful of these responses is the Tumblr When Women Refuse, a compilation of news stories about just what happens when women turn down the sexual advances of men like Rodger.

A companion to the #YesAllWomen hashtag that surfaced in response to the UCSB shootings, When Women Refuse is full of harrowing tales of the bloody consequences of women refusing men’s sexual overtures.

There’s the 16-year-old Connecticut girl, stabbed to death by a classmate after refusing to go to prom with him. There’s the Baltimore teen who fatally shot a pregnant woman when she declined to have sex with him and his brother. And there’s the New Jersey man who tossed his fiancée’s baby’s car seat into a creek, with the baby still in it, after she broke off their engagement.

The purpose of the Tumblr is to prove just how pervasive the fear of male violence is among women, and that the UCSB shootings “were not just an isolated incident,” said When Women Refuse cofounder Deanna Zandt, the founder of digital strategy agency Lux Digital. In the wake of the shootings, “there were a lot of men in my social networks, most of them well-meaning, saying not all men use that type of violence, and that we only hear about these spectacular stories in the mainstream news,” she told me in a phone call. “And women were like, ‘No, this happens all the time.’”

On Monday afternoon, Zandt noticed that writer and activist Kate Harding was collecting stories on her Facebook page about women who had been the victims of male violence after rebuffing their sexual advances. Since compiling the links on When Women Refuse yesterday afternoon, Zandt has since received more than 20 submissions from men and women, and has found more stories on Google News. “There are probably five examples of this happening in the last month alone,” she said. “It’s scary. They’re actually not that hard to find.”

With the exception of one angry tweet from someone associated with Reddit’s MRA group, the response so far has been “overwhelmingly positive,” said Zandt. She’s particularly happy with the feedback she’s gotten from men who visit the Tumblr.

“All of the men are posting things like, ‘Oh my God, this is sickening, I had no idea,’” she said. “I think a lot of men really have no idea that this is a fear women face every single day. ... This seems to be a prime moment to create that tapestry for folks, and refute the idea that this is a personal thing and an isolated incident.”

The Tumblr also prompted a great deal of soul-searching from men in Zandt's social networks, even those who may have sympathized with or experienced the same feelings as Rodger. She was particularly struck by a Facebook post from a former intern of hers, describing how he identified with the feelings of bitterness and isolation Rodger recounts in his manifesto. 

"His way out was to talk about these feelings with people," said Zandt. "While the majority response [from men] has been, 'No, I don't feel that way, it's that guy over there and he's crazy,' I feel like there are more men who feel the way [Rodger did] and want to have a conversation about it, and that's a conversation I'm ready to have, too. If we create a space for those people willing to have that conversation, that's also super valuable."

Photo by BChristensen93/Flickr (CC BY ND 2.0)


Here's video of One Direction's Zayn and Louis getting high in a van

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Directioners are reeling from newly leaked footage of two of their idols, Louis Tomlinson and Zayn Malik, smoking joints and joking about drug use while riding in a van with what appear to be members of their security team. The two crooners were on their way to a concert in Lima, and spent the time alternately smoking and warming up, while laughing about their lives.

"Are we allowed to talk contraband in this?" Malik asks shortly before Tomlinson passes him a joint. 

Tomlinson seems to be filming the video while narrating the trip in the van, teasing Malik about his "intense warmup regime."

At one point the van passes a police car, and Tomlinson jokes that the police is "sure [he] can smell an illegal substance in [their van]."

"And he's hit the nail on the head," Tomlinson jokes. 

"So here we are," he says, "leaving Peru... joint lit... happy days."

Tomlinson seemed unfazed by the idea the video could come back to haunt him, but members of the fandom seemed shocked that he'd actually filmed the scene. They promptly responded as only fandom can—with photosets and hysteria:

Photo via creddie--forever/Tumblr

 

The mighty Twitter side of the fandom also promptly trended a number of hashtags in response, some more disturbing than others, particularly #CutforZouis. Self-harm out of a wish to show solidarity with members of the band has always been one of the serious problems that plagues corners of the One Direction fandom; thankfully, most of the people using the tag on Twitter and Tumblr are urging others not to participate in the trend.

While this isn't the first time rumors about the band members and illegal drug use  have surfaced, this is the first time it's been caught on video. 

"I wonder if this will come back to haunt me," Tomlinson muses at one point.

Oh, Louis. You don't say.

Screengrab via YouTube

Tumblr rolls out recommended posts to your dashboard

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Tumblr isn't one to announce its small changes, preferring rather to let them drift into the consciousness of the userbase.

The most recent feature to drift onto our dash is Recommended Posts. While Recommended Blogs have always been a feature of the dash sidebar (though there are extensions that will remove them), now Tumblr has taken the feature one step further. Recently it began introducing recommended blogs to users by placing original posts from those blogs directly onto the user's dashboard.

Although Tumblr hasn't officially announced it, the change appears to have begun surfacing around three weeks ago. XKit developer Atesh Yurdakul began receiving notes from users confused about why they were seeing the posts on their dash around that time. A week later, Yurdakul released an extension to remove the posts.

While the new posts don't seem to have any connection to Tumblr's sponsored posts, they could be evidence of Tumblr's strategy of enhancing marketing through inferable analytics culled from user data. So far, its attempts at guessing seem a bit hit-and-miss, but then again, predicting user interests has never been a fluid science.

If you want to remove the posts from your dash, the easiest way is to install XKit and then install the recommended posts removal extension. See our other Tumblr tips for more ways to personalize your dash.

Screengrabs via Tumblr

Tumblr's cutest crime-fighting duo has Kickstarter dreams

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An artist hopes to take a Tumblr-based meme about a cute bear and a Canadian cop and turn it into a successful Kickstarter campaign.

Ami Guillen, known on Tumblr as Lemonteaflower,  and head writer and showrunner E.L. Zofchak are in the process of creating an animated series featuring a “female officer and her sentient bear, who solve cases and keep the peace within their small quirky town.”

The show is called “Miss Officer and Mr. Truffles.” The Kickstarter campaign will fund a seven-minute animated production short used to approach TV studios in the United States and Canada.

But the story of “Miss Officer and Mr. Truffles” began back in June 2011.

That’s when Constable Suzanne Bourque was called to a Canadian rest stop because of reports of motorists feeding a bear. When she arrived, she sounded her horn, scaring the bear away. Bourque then spent the next 45 minutes talking to the people who fed the cub while waiting her colleague to arrive. By the time she did, the bear had returned looking for more food.

Bourque’s colleague took the following photo of the two interacting:

The photo existed in relative obscurity until January, when the following Tumblr thread inspired Guillen to transform it into some quick illustrations.

“I thought [the comics] were quite awesome,” Bourque told me on Jan. 16. “She’s quite talented. I don’t know what caught her attention about it. I must say, I’d like to be in contact with her to see how she got it in her mind.”

Keep an eye out on the Tumblr page Official MOAMT for more information on the “Miss Officer and Mr. Truffles” Kickstarter. The following are two more GIFs posted on Tumblr of the series in progress.

Photos and animations by Gus Sanchez, Avian Anderson, Marco Ibarra, and Mollie Boorman

It's time for Reddit to flush the Red Pill

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The discussion sparked by the death of six UCSB students at the hands of 22-year-old Elliot Rodger has, at times, become very heated. The shooter’s frantic rantings against peers—and specifically women—who have refused him has spawned a pouring of outrage by women and men alike at the hidden culture of harassment, entitlement, and violence that is a daily part of women’s lives.

The hashtag #YesAllWomen has collected thousands of stories, anecdotes, and emotions centering on the victimizing of women by men; stories men like myself are often blind to, willingly or not.

As many have pointed out, no one is seriously pretending that all men behave in such a hideous manner. However, how much better are we men who consider ourselves outside observers to this ugly arena? How often do we turn a deaf ear to machismo-driven, hedonistic sexual greed towards women, writing it off as simply “bro culture”? Does evil not prevail when we do nothing?

To understand how far assumptions about women and men’s entitlement to them can take a deranged mind, I ventured into r/TheRedPill. A stalwart of the storied men’s rights movement, this section of Reddit (or subreddit) is one of its darkest corners, populated by rape apologists, revenge-porn enthusiasts, and those who would justify domestic abuse.

“The only thing that offends a feminist more than the idea of being raped is the idea that no one wants to rape her,” says u/crazy89 in one post. u/horaxical confirms, stating “the best kind of sex to have with a onenight stand is the completely dominant type. She'll thank you for treating her like a whore.”

Such discussions are often punctuated by the odd tale of sexual conquest. “I choke most of my one night stands,” says a ‘TRP-Endorsed” post, “hold them down and pound them, make them beg me for permission to cum etc. They go so fucking wild.”

The forum is a trove of horror stories disguised as men trying to “better” themselves. While there are plenty of posts about“becoming the sort of guy women want to be around,” most members of the subreddit must have a delusional image of what that means: “You’re better than everyone else” is a mantra, and “people who believe they are more important than others are the ones who get ahead in this world” is a sacred truth.

It’s a land where false rape claims are more common than rape, where the court system is biased against men (it’s not) and “society does not give a fuck about the male species.

And before anyone feels I’ve misrepresented TRP by cherry-picking the worst examples, it’s hard to make clear how common these comments are and how much they, as any search will verify, validly represent the proud mentality of a Red Piller.

The philosophy of TRP—which sells itself as a “self-improvement” subreddit—is based in innocuous values such as self-empowerment and evolutionary psychology. The forum declares amongst its core values that women are using feminism to gain “the best position they can find, to select mates, to determine when they want to switch mates, to locate the best DNA possible, and to garner the most resources they can individually achieve.

It’s a poisonous cocktail to feed young men, one that plays to easy narratives about women’s role in the world and the twisted realities often brought by loneliness, rejection, and/or mental illness. TRP is confirmation bias uncut and unfiltered, its members patting themselves on the back for surviving the cruel feminization of society.

In his 141-page screed against women and society at large, Rodger mirrors these values by opining about the many times his peers have denied him of the fabulous life he was “owed” when he wasn’t being the spoiled son of a Hollywood director. “Why do they hate me so much?” Rodger asks rhetorically of the entire female population. “Why have they never fancied me? Why do they give their love and sex to other men, but not me, even though I deserve it more?”

Rodger, as it turns out, was a member of a forum called “Puahate,” a collective that aims to disprove the fraud of so-called pick-up artists and the idea of “the Game,” a concept TRP holds amongst its highest values. Far from blaming a false system built on manipulation and intimidation, Rodger turned his failures as a PUA on society. “If we can’t solve our problems we must DESTROY our problems,” he wrote on the forum. “One day incels [a term the glossary of TRP defines as “involuntarily celibate”] will realize their true strength and numbers, and will overthrow this oppressive feminist system.”

TRP actually finds great fault with Rodger’s mentality, but not for the reasons you might. The problem isn’t that Rodger saw women as objects, but that he “pedestaled pussy to an extreme degree.” Rodger’s evident mental illness and delusional attitude weren’t to blame: It’s the lack of cheap, available brothels.

I wish I could say The Red Pill subreddit works as a containment strategy for Reddit, which becomes increasingly sprawling each hour. If only the TRP mentality kept itself in that one location, quarantined from the healthier sections of Reddit. But Reddit’s sexism problem runs far outside TRP, and quickly finds its way into other subreddits.

Reddit, however, is not some ethereal plane of existence thriving on anonymity and curiosity. It’s a Conde Nast-owned entity, one that has made leaps towards mainstream success in the last two years. Its wildly popular AMA feature is now as common a stop on the publicity circuit as The Tonight Show. Frequently more niche and obscene subreddits have been pulled from the default front page (meaning the subreddits you see if you don’t login), including /rAdviceAnimals and /r/WTF (though past subscribers keep those subreddits plentifully populated).

But if Reddit--which has never turned a profit—hopes to play in the big leagues, they’ll need to play by the big league’s rules. Facebook, Twitter, Tumblr, and other social media sites have rules in place to prevent hate groups, and Reddit can do the same. Precedent comes in last summer’s ban of /r/n***ers, a diplomatic end to a ugly pox on their servers (though you are free to visit /r/WhiteRights).

r/TheRedPill deserves the same treatment.

What I do not propose, however, is a wholesale scrubbing of Reddit of any and all sexist content. Leave user comments as they may be and keep the anonymity that often makes Reddit such a profound corner of the Internet (full of heartbreak, hope, and avocado porn), but why host a community explicitly devoted to the degregating and manipulating of women?

Call it censorship if you like: Reddit is a private entity and can make its own decisions about what you post there, in much the same way Facebook and Twitter can. It is time for Reddit, Inc. to abandon its beginnings as a secret hideout riding the rails of second-tier traffic and minor obscurity. At 730 million unique visits last year alone, it becomes a little harder to play the straight-laced cousin to 4chan’s manic prankster mentality.

Once more, Reddit holds immense influence with the same impressionable young men set to become boyfriends, husbands, and fathers. Men age 18 to 29 are by far the site’s heaviest demographic, and Reddit’s very nature as a community creates vast loyalty. Hosting such poison as TRP allows the dangerous mentality present there to infect its largest audience.

While the damage done to women within this “manosphere” is blatantly abhorrent, the danger such communities pose for lost and confused young men is also immense.

It is impossible to say whether Elliot Rodger ever visited TRP or sites like it (and even more absurd to attach the community to his violent acts), but his worldview screams of the same self-aggrandizement thousands of men are currently being hypnotized by within Reddit’s thicket of communities. It is a cult of ego as harmful to the women it targets as it is to the men who preach it, and Reddit could bring it down tomorrow. If Reddit is to be the hangout for nerds, Presidents, and rock stars it aims to be, it cannot be host to such dangerous propaganda.

Photo via [Chris]/Flickr (CC BY 2.0)

Terrible community theatre costumes make for an amazing Tumblr

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One of the most underrated aspects of the performing arts is the beauty of terrible community theatre. If you've ever been in an under-funded production, you know that necessity is the mother of invention—or in many cases, terrible wardrobe decisions.

A hilarious new Tumblr has decided to shine the spotlight on the one character who embodies the best and the worst that community theatre has to offer: the giant diabolical venus fly trap known to the world as Audrey II from Little Shop of Horrors.

Since no one quite knows what Audrey II looks like, set and costume designers have a little leeway with the man-eating plant's appearance. And as Low-budget Audrey 2 points out, the results are often inspired—in the worst way possible.

Like this Aquaman reject with a pot around his ankles and ivy-covered genitalia, who looks as if he somehow knows that one day he'll end up on a single-serving Tumblr made for the express purpose of mocking all that he is:

Or this bizarrely vaginal species of radish-turnip-potato-munchkin:

An inordinate number of low-budget Audrey 2s are, as it turns out, weirdly suggestive of the nether regions, which invites one to contemplate exactly kind of horror these little shops are selling:

Then again, perhaps we'd do better not to ask.

 

Low-budget Audrey 2 started yesterday and is already making a splasn on Tumblr, perhaps because the only way to escape the horror is to pass it on.

Photos via lowbudgetaudrey2/Tumblr

Laverne Cox is on the cover of Time, but it's not enough

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Laverne Cox is getting her own Time cover. She's the first transgender person in history to do so. 

That's not quite the victory it might first appear.

Cox's inexplicable snub from the 2014 Time 100 list set the stage for the media narrative of her vindication after the fact, garnering her a groundswell of public outrage over her omission, an appearance at the Time 100 Gala anyway, and ultimately a place on the magazine's June cover, for an article entitled "The Transgender Tipping Point."

Ironically, the Time debacle just underscores the double-edged sword that is Cox's media ascent. The Orange Is the New Black actress, along with transgender author Janet Mock, seems to have become the new visible face of transgender activism within the last year. But one celebrity transgender actress does not an equality movement make. 

Time's refusal to place her on the list of the most influential people of the year says far, far more about the real state of transgender erasure and invisbility in the U.S. cultural landscape than does its attempts to reap the rewards of its own snub of her by placing her on the cover months later. Giving her the cover for the upcoming issue allows Time to hail Cox as an icon within her own community, while conveniently failing to acknowledge the place she, Mock, and other transgender women hold within the larger sphere of cultural influence—something her inclusion on the Time 100 would have and should have done.

The difference between the two may seem like splitting hairs, but it's really not. Transgender individuals, and particularly trans women, are impacted to an extreme degree by the way they interact with the society outside of their community. To quote Cox herself:

The reality of trans people’s lives is that so often we are targets of violence. We experience discrimination disproportionately to the rest of the community. Our unemployment rate is twice the national average; if you are a trans person of color, that rate is four times the national average. The homicide rate is highest among trans women. If we focus on transition, we don’t actually get to talk about those things.

Cox isn't exaggerating.  The rate of suicide among transgender individuals is anywhere from 40 percent to 50 percent, over 25 times the national average. Nine out of 10 transgender teens report being bullied because of their gender expression. Only eight states explicitly protect people based on gender identity or expression. Violence against transgender men, women, teens and children is so constant that the trans community has created its own tracking system in order to make violent incidents in the community more well-documented and more visible.

Hate crimes, homelessness, mistreatment from the judicial system, inability to travel safely—it's virtually impossible to overstate the difficulty the trans community faces, both in attaining reasonable standards of safety as they go through life, and in garnering respect from outside the community. Time's cover article appears to be trying to shine a spotlight on the trans community, which is potentially a huge step forward for transgender acceptance within wider society. But it's important to remember that Time's erasure of Cox to begin with is also part of the problem. 

It's also important to emphasize that Cox and Mock are not "the face" of the transgender community. Not all trans women are extremely femme, not all trans women are fully transitioned, and not all trans women have the experience of realizing and accepting their identity from a very early age. It's important to make sure that Cox and Mock are not the only trans women who are positively represented in the media—not when the trans community is still fighting for basic representation in media to begin with. The media is stillmisgendering Chelsea Manning. The media is still overlooking actual trans actors in order to laud cisgendered men who can't even say the word "transgender" when they accept their Oscar for playing a transgendered female character.

The kind of narrative the media seems to want to uphold is that of glamorous trans women, and, alarmingly, dead or dying trans women and men. (Remember Hilary Swank's Oscar win for playing the doomed Brandon Teena in Boys Don't Cry?)  That these are the most common depictions of trans individuals in the media while the rest of the trans community is generally ignored and under-reported on is not only hypocritical, it's dangerous. Time's snub, after all, came just months after Grantland reporter Caleb Hunnan made the decision to reveal the background of a transgender article subject, over her objections—after which she committed suicide. That piece, and the initial hoopla that surrounded it, reads like a textbook circlejerk of insulated sports journalists who are bogglingly unable to comprehend the spectacle of a secretive trans woman trying desperately to hide her prior identity. 

In its apology, ESPN acknowledged that no one on its staff is trans. Moreover, no one on its staff had thought to run the article by a trans person at any stage, either for their thoughts on the high risks of outing a trans woman against her will, or the merit of exploiting her death after the fact in an article that attempted to paint her desire for privacy as duplicity and her trans identity as a kind of catfishing. The invisibility of trans women outside of their own community is lethal.

It's completely possible that Time's historic cover will set the stage for a new wave of transgender representation. But it's worth pointing out that Time also bizarrely called Cox an "unlikely icon" even after placing her on the cover. Unlikely? Really? An intelligent, gorgeous woman starring in one of the most critically acclaimed shows of 2013? 

This is only "unlikely" in the eyes of media that refuses to render trans women a visible part of the world we live in, unless they're buoyed by waves of public outrage—or unless they're already dead.

Screengrab via Time

Elliot Rodger's case reveals the dirty underbelly of online communities

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We want to believe that events like the mass killing in Isla Vista last Friday are isolated events. That they are non-recurring phenomena. That they have nothing to do with us.

And yet, we talk about it incessantly. It captures our attention like little else because we have some sneaking suspicion that actually, we are implicated somehow. 

Partly, it’s that the school shooting is an American phenomenon—no other culture has produced these particular tragedies. Partly, it’s that we cannot easily excuse ourselves from the school shooting because whether we like to admit it or not, this is a crime that arises from a nice, middle-class, suburban experience. We have all either shunned the awkward kid or been the shunned awkward kid—or in some cases, like mine, both.

In this particular catastrophe, it’s not just that it’s an American phenomenon and a symptom of a diseased adolescence; it’s that these things were exacerbated by the Internet as well. Isla Vista may have been the first Internet massacre.

When it comes to the “why,” whether at the University of California at Santa Barbara or Columbine, I cannot believe that we have some kind of monopoly on mental illness in the United States or on the Internet. We did not invent rage so extreme and twisted that it could kill indiscriminately. 

Nor can I believe that the ostensible reason—in this case bro culture and men’s rights attitudes—is the actual reason. Islam is no more to blame for 9/11 than patriotism for the Oklahoma City bombings or the rights of man for the Reign of Terror. There are always justifications aplenty for those who want to commit violence.

My own personal theory is that there are two primary reasons the United States sees far more of these types of events than any other. For one thing, we can't deny the impact of the copycat effect. The more things like this happen, the more they seep into the cultural subconscious and take root. The fact that it's been done before makes it more likely to happen again. 

But more importantly, mass shootings are the result of the lack of a key factor that mitigates between rage and ideology—and I do not mean our lack of gun control, since after all, three of Elliot Rodger’s victims were stabbed to death. I am referring to a lack of community.  Both of these factors, in Elliot Rodger’s case, seem to have been exacerbated by the Internet.

As Robert Putnam exhaustively demonstrated in Bowling Alone, Americans emphasize the nuclear family almost to the exclusion of extended networks. We know our neighbors far less than our counterparts in other countries; we are less engaged in community organizations and have fewer personal relationships in the institutions we do engage with, such as school. As we grow beyond infancy and childhood, this extended support network becomes more and more important—and our parents, our nuclear families, less and less so.

Look at Elliot Rodger. His parents did notice that something was wrong. He was in therapy (with several therapists, apparently). They even called the cops on him. But that was not enough. 

He tried to find a community of his own online. And I have written before that the virtue of the Internet is that on the Internet, no one is alone. And yet, in Rodger’s case that turned out to be not such a good thing. He bounced from group to group. He engaged with other virgins in World of Warcraftbut left as it went more mainstream. He found pick-up artist (PUA) communities but left them for PUAHate when he didn’t score. The pattern exposes a fundamental feature of Internet communities, which in this case was a tragic weakness.

A traditional IRL community is tough to leave, and you don’t get to choose it. Rodger could easily disappear from a massively multiplayer online game or from a subreddit and no one would notice. In a strong community, if you suddenly don’t show up at school or never leave your apartment, someone notices. 

I think we’ve all felt angry and isolated at one time or another in our lives. I know I have. While I never contemplated anything like what Rodger did, what got me through those times was the one or two people, out of all the people around me, who reacted to me a little differently than everyone else—the one or two people who seemed to be on my side even if they did not approve of everything I did. It took a pretty big, pretty strong community that was not of my choosing to find those certain people  who would show me a different way of being rather than amplifying my worst impulses.

The ability to find communities online filled with people who embrace you in all of your strangeness has been a saving grace for many. But in Rodger’s case, he found the online equivalent of madrasas, groups that gave him a validation of and language for his rage. 

I have argued before that the Internet is a medium of connection, rather than isolation. But the case of Elliot Rodger forces us to admit, perhaps, that connection is not necessarily benign. The Internet has the power to connect us in ways that can both mitigate and amplify the most deplorable aspects of human nature.

That is the seedy underbelly of the Internet that I live in. The back alley that I would prefer not to have to acknowledge. 

I don’t want that sad truth to be the final word on the matter though. I don’t want to believe that the Internet is a cycle driving us all ever deeper into two camps, one of anger, hate, and tribalism and another of acceptance, compassion, and humanism. Maybe I’m grasping at straws, but I think if there is a saving grace to the Internet, it is that the most insightful, powerful thing I have read about these crushing events was a post shared with me (and many others) by a third party. It was written on Tumblr by someone I have never heard of, Chris Gethard, a self-proclaimed “unsuccessful comedian,” and it is a brave and insightful essay about this event. If you read nothing else about it all, I suggest you read this

The thing is, Gethard didn’t need anyone’s permission to write it,  and I didn’t need to have ever heard of him to read and re-read his words and have them remind me what acceptance and compassion are all about. And I have to believe, while the Internet facilitates both Elliot Rodger’s message and Chris Gethard's, that a message of compassion is more powerful than any message of hate. The Internet may amplify both good and evil. But if you believe that good is stronger than evil, then you must also choose to believe that the ride of the Internet is ultimately taking us somewhere we want to be.

Illustration by Jason Reed


This 'Book of Life' trailer is a thing of beauty

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The Book of Life trailer made a splash yesterday as it debuted to an Internet keen on visual spectacle and unconventional storytelling.

Set in Mexico and featuring gorgeous animation, Book of Life instantly became a hit on Tumblr. The trailer for the movie, which lands in theatres this October, spent most of yesterday making the rounds on Tumblr in the form of an infinite number of fetching, eye-catching GIFs and photosets.

The narrative begins on the Mexican Day of the Dead and involves a very colorful underworld. Combined with the beautiful CGI animation reminiscent of stop-motion, comparisons to Corpse Bride and Nightmare Before Christmas are probably inevitable. But Book of Life is very much a different cultural product, owing far more to the magical realism of its producer Guillermo del Toro than to Tim Burton. 

Book of Life's director and creator is Jorge Gutierrez, an Emmy-winning Mexican animator and writer best known for creating the award-wining Nickelodeon series El Tigre: The Adventures of Manny Rivera. Gutierrez wanted to make his film a distinct cultural product that he could share with the world. The story is firmly grounded in Mexican folklore, but it also utilizes famous actors like Zoe Saldana and Channing Tatum, along with catchy covers of famous pop songs.

Gutierrez also had a goal of making certain that the beautiful, luminous qualities of illustrated concept art found its way to the screen. Indeed, screengrabs of the trailer look more like pages from an illustrated children's book than a movie. Even the gorgeous movie website is like falling into a picture book.

What do you think? Is Book of Life just another children's film? Or is it an extra treat in the usual bag of Halloween film tricks?

Photo via Film Habits

The worst of straight white boys texting in one beautiful Tumblr

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With the rise of #YesAllWomen, we’ve been talking a lot about male privilege and sexual entitlement, and how we live in a world that caters to the desires of straight white men at the expense of pretty much everyone else. The apotheosis of this discussion is Straight White Boys Texting, a Tumblr that compiles the best of the worst of straight white boys asking women for sex.

So ladies, how can you tell if a Straight White Boy is texting you? Well, for starters, he’ll probably open with asking if you want to play 20 Questions…


 

...which nvariably devolves into an FBI-level interrogation about your sexual history.


 

From there, the Straight White Boy will most likely segue into a discussion of his personal fitness and grooming habits.


 

That is, if he doesn’t just straight-up ask you for a blow job first.


 

Occasionally, the Straight White Boy will open with a little bit of gendered vegetable humor.


 

But that’s only if he's generous enough to share with you the punchline for his own joke.

 

bananarolex:

a white boy tried to initiate a conversation with this text message

bananarolex:

a white boy tried to initiate a conversation with this text message

 

Some Straight White Boys are sensitive.

 

Others, not so much.


 

But they all share one defining trait: the ability to change the topic of any conversation to us showing them our tits.


 

But hey, ladies, who are we to deny them?

Photo by Style: Raw/Flickr (CC BY 2.0)

Detroit's decline, as told by Google Street View

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As the chief product officer at LOVELAND Technologies—a company whose mission is to “gather and present public information about properties” in the interest of “foreclosure prevention, blight identification and reduction, the reuse of vacant space, and the preservation of community assets”—Alex Alsup wades through data on the troubled city of Detroit every day. Luckily for us, he’s been sharing what he sees on a fascinating Tumblr.


GooBing Detroit,” as the name hints, originally featured comparisons of local properties as they appeared on Google Street View (c. 2009) and Bing Streetside (c. 2012). Now Alsup can use Google’s Time Machine feature to collect his images, but the results are no less striking. In just a few short years, abandoned houses crumble to pieces, while fully demolished buildings give way to wild overgrowth and trash-strewn fields.


But the project goes beyond what’s come to be known, at least online, as “ruin porn.” Wide-eyed rubbernecking is certainly part of the appeal here, though there’s a bigger point to be made, as Alsup noted in a recent post titled “A Hurricane Without Water”:

"Detroit’s getting better—sure, there are neighborhoods that have problems, but they’ve been that way for 30 or 40 years.” I’ve heard statements like this a number of times in conversation and online. The idea that problems with Detroit’s property issues are decades old. Some of the root causes are certainly buried that far back, but this idea distorts what I think is still a little understood fact: The 2008-9 financial crisis had a devastating impact on the state of property in Detroit. … [the city] has faced decline for decades, but there is an untold story about the impact the financial crisis had on the city. This blog is cataloging just a bit of that evidence.

Indeed, with few of Alsup’s photos dating back more than five years, it becomes impossible to deny how drastic the area’s recent economic tailspin has been.


It’s nice to think that sometime in the future, we’ll get to watch Detroit rise anew from the ashes and weeds. For the moment, however, we’re stuck with Dubai.

Photo by Bob Jagendorf/Flickr (CC BY 2.0)

AMC's 'Halt and Catch Fire' explores tech's 'Silicon Prairie'

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There’s been a lot of talk about how AMC’s new tech drama, Halt and Catch Fire, is getting in the Sunday night elevator just as Mad Men is getting off—at least until the second half of the final season. “Is this the new Mad Men?” we whisper, breathlessly, into the void.

It’s easy to draw dotted lines between the shows; both attempt to dramatize the history of two industries—computers and advertising—within two very important decades for commerce and innovation. In fact, Mad Men recently acquired a new cast member, in the form of an IBM System/360 computer.

Halt and Catch Fire’s May 18 pilot foreshadowed what the season might bring: Lee Pace plays Joe MacMillan, a Bryan Ferry lookalike and former IBM employee hired at Cardiff Electric, who elbows fellow employee Gordon Clark (Scoot McNairy) into reverse engineering an IBM computer with him, in hopes they can beat the computer giant at its own game. Cameron Howe (Mackenzie Davis) is the smart young student they rope in to help with the coding. Kerry Bishé plays Gordon’s wife, Donna.  

It’s set in Dallas, Texas, one of the real nexuses of the early ‘80s computer revolution—the “Silicon Prairie.” North Texas's Dell and Texas Instruments were among IBM’s competitors. In the show, Donna works for Texas Instruments; they even have a Speak & Spell, one of the company’s most popular toys, which has been deconstructed by many an aspiring engineer since its debut.

Writer and co-creator Christopher Cantwell grew up in Plano, a suburb of Dallas, and had some experience with Texas’s ‘80s tech boom. Cantwell’s father was a software salesman when Christopher was a kid, so he asked his dad to fill in some of the blanks. Cantwell started scripting a new kind of oil boom, one where “closers” and engineers worked together to test the limits of their bubble, to see how far into this brave new world they could venture.

“He arrived in ‘82, right when personal computing was taking off," Cantwell explains. "And from there, we started to research what was going on in Texas at the time, and stumbled upon this story of reverse engineering on an IBM PC, which was first done by a company called Compaq.

"And we thought, let’s tell the story you don’t know, of what was happening there. Then it became a story of people looking for a second chance, who have maybe been washed out of the bigger hubs of the time. Let’s thrust them together in this wild West.”

The show’s engineering took a little more time. Cantwell and co-creator Christopher C. Rogers met in California, where both were working marketing jobs at Disney. In their free time, the two started writing scripts together, though neither had experience in a writers' room. They shopped the pilot for Halt and Catch Fire to several networks, and stared down a lot of dead ends. They finally ended up at AMC, and Cantwell says the vibe was different: The execs had the script "in their hands." AMC gave it a green light in late 2011. 

The early ‘80s tech revolution mirrors the current Silicon Valley rumpus in many ways, one being gender disparity. The show’s portrayal of women seems promising from the pilot: Donna’s not just the worried wife chasing her husband’s regrets. They seem more like a team, and the pilot hints that they once programmed a computer together. Though Cameron and Joe have an early scene in which his misogyny is exposed mid-tryst, she represents a character not often seen in Silicon Valley boardrooms. 

Cantwell recently wrote on his Tumblr about how important it was that they didn’t fall into stereotypes:

“HALT premieres in five days. Are the female characters perfect? No. Does the first episode pass the Bechdel Test? No (we do in Episode 2, though…). Did I, my partner, our showrunner, our exec producers, the network, our room of seven writers endeavor very, very hard to write authentic women who aren’t mere accessories to a male story? Yes. I believe we did. I love our female characters. Did we screw up with them at times? I’m sure we did.

“We created these characters as an attempt to portray realistic human beings who are women.”

“From the beginning, we didn’t want Donna Clark to be a mere accessory to [her husband's] story,” Cantwell says. “When we cast Kerry Bishé, and saw what she brought to the character in the pilot, you just wanted to write to her. And you wanted to see someone like Donna struggling with the ‘80s universe of feminism, which is, ‘OK, you want to work? That’s fine, work, but you’re going to be [working at] home too.

“Cameron is on the opposite spectrum from Donna. She’s of the new guard, she represents what’s coming. She’s a proto-hacker, a punk. Someone who sees technology a bit more like we do today, and she’s thrust into the hierarchy that’s very foreign to her.”

The social media marketing for the show has been inspired. AMC partnered with Tumblr, and screened the show for an exclusive Tumblr audience. AMC is streaming the pilot episode on its Tumblr until May 31. Remember that Fine Bros. video of kids trying to understand old computers? Another bout of synergy from the show’s promotional department. The video has more than 7 million views.  

Sima Sistani, Tumblr’s new director of media, says it was an organic conversation, and AMC wanted to integrate their Tumblr into the larger community.

“It really made a lot of sense for them to try to think of new and interesting ways to promote the show, and fill their fandom on Tumblr,” she says, “given that the show is about technology, and we have such a passionate community of influencers.”

Sistani came on with Tumblr in January, with the specific task of partnering with media and entertainment companies. She explains they're currently doing a screening of the new season of Orange Is the New Black for a group of “influencers,” and she hopes the initiative can “connect these artists with the greater creative community on Tumblr.”

“I think AMC has done a really fantastic job of building fandoms for their shows: The Walking Dead, Mad Men, Breaking Bad. I don’t think there’s a particular genre you have to be in to build a fandom on Tumblr. … Any niche interest, there’s someone for you to connect with.”

While some of the pilot's dialogue felt a bit stiff, the characters are encouraging. The show's debuting in the midst of the Internet and entertainment's love affair with tech and its past. It will be interesting to see whether Halt and Catch Fire's viewers get in the elevator. 

Photo via AMC

Readers blast Chicago Sun-Times for 'transphobic' editorial on Laverne Cox

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The Chicago Sun-Times has syndicated a controversial transphobic opinion piece by Kevin Williamson, a former deputy managing editor of the conservative National Review.

Williamson attacks noted transgender woman Laverne Cox, who recently made the cover of Time magazine, in a piece headlined, "Laverne Cox is not a woman," blaming her and the transgender movement for encouraging "unreality."

Williamson blames the transgender rights movement's "ever-shifting" definitions of what transgender identity is for the claims that Laverne Cox is the "first" transgender woman on the cover of Time. Williamson points out that Chelsea Manning was also on the Time cover, though her cover was shared with Edward Snowden and Aaron Swartz, and appeared two months before she outed herself as fully transgender with a public request to be referred to as Chelsea. 

Instead of acknowledging the right to privacy that responsible journalism tries to respect for trans individuals who have not yet fully outed themselves, Williamson takes the semantic difference to mean that transgender identity itself is equivalent to "the voodoo doll." 

"As I wrote at the time of the Manning announcement," Williamson wrote, "Bradley Manning is not a woman. Neither is Laverne Cox."

Williamson goes on to argue that transgender individuals are attempting to distort "reality" and legalize "treating delusion as fact." He cites "the service of Eros" as a motivation, but fails to explain what Eros has to do with the incredibly high numbers of transgender individuals who are murdered, commit suicide, rendered homeless, face unemployment, and face hate crimes.

While the National Review is staunchly right-wing conservative, readers seemed deeply upset to see such an article in the Sun-Times. This is, after all, the paper that published liberal human rights champion Roger Ebert until his death.

The paper's Facebook page has likewise filled with angry reader reactions as word about the transphobic piece has spread. A representative comment from reader Jenni Spinner argues that the syndication holds no value for local Chicago readers:

After Kevin D Williamson's hateful, disrespectul comment on Laverne Cox, I will not read, buy, subscribe, click, or otherwise support the Sun-Times. I realize it is a commentary, but it's not even an original Chicago view--it's repurposed from another publication--so it's regurgitated garbage of no use or benefit to S-T readers. It is extremely offensive and completely ignorant of gender identity, and the S-T editorial board's decision to publish under its own banner is questionable at best.

But this isn't the first time the Sun-Times has come under fire for transphobic reporting. In 2010, the paper incited controversy for reportedly referring to murdered transgender Chicago woman Sandy Woulard as "a man dressed in woman's clothing."  This is the same super-imposed style of journalism that recently led to controversy over a article for ESPN's Grantland, in which the transgender subject of the article committed suicide after Grantland moved forward with plans to out her as having been born biologically male, despite her own desperate objections.

Williamson would undoubtedly call that being true to reality. The rest of us probably just call it transphobia.

Photo via Instagram

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